The e902 is a kick drum and bass amp mic. You could also use it for any other low frequency rich sources and likely have good results. I have also used this as one of two mics on a cello, and got a really great sound for a very sparse mix. The mic's frequency response definitely seems to be made to accent a kick drum. The transient on this large diaphragm dynamic mic is surprisingly fast, which is great news for drums, because you can get a deep, beefy sound without sacrificing punch. I also once strapped this to a small diaphragm condenser and used the combo on a floor tom, with very nice results. You'll have to phase align the resulting signals, but it's a great way to get a crisp top end with a huge bottom on a floor tom. The low-end on this mic is definitely hyped, but it tends to not be a problem because most people are going to EQ boost the same area anyway, so this just means you'll have to boost a little less later on in the process.
There are a lot of kick mics out there, and this one definitely holds its own even though it's a lesser known competitor. This is at about the same price point as the AKG D112, and I will say that I do think the AKG is a better mic overall, even though you will find some situations for which this Sennheiser can do a better job. If it's your first kick mic, I would say spend the extra $50 on a D112, but if you are just expanding your selection then you definitely won't really be disappointed with this mic. All around a pretty solid kick and bass mic. I recommend it.
The Sennheiser E 902 is supposed to be Sennheiser's successor to the very nice and interesting E 602. The E 902 is intended primarily for use with a kick drum, although Sennheiser advertises it, like the E 602 as a "bass instrument" microphone. I am quite sure that it will work well on bass cabinets, but it was not an application that I got around to testing it on. This review will, consequentially, cover their use on kick drums.
The Sennheiser E 902 is a dynamic microphone specifically designed to be used with bass instruments, so it will get utilized mostly on kick drums. It has a cardioid pick up pattern, which is nice, because if it gets placed in the hole of a kick drum, it will pick up some of the boominess in the kick. It has a bass-heavy frequency response from 20 Hz all the way to a respectably high 18,000 Hz.
The E 902 has a stand mount built right onto the microphone, and this resulted in considerably less hassle in setting it up inside of the hole. This mechanism is a markedly noticeable improvement over the E 602.
In my review of the E 602 II, I mentioned how the E 602 II seems to magically fix low end kick drums that had a tendency to sound boxy. In keeping true with the fact that it is a higher end microphone, the E 902 does not have this compensation built into the curve. The E 902 will make a good kick sound good, and a bad kick will continue to sound bad, so it is not a magical solution to a bad kick like the E 602 seemed to be. This particular microphone from Sennheiser tends to be very clean, very honest about the sound it imparts.
I like the E 902 more than the E 602, but they are differently colored. The E 902 is not designed to compensate for any bad bass signals like the E 602 is not only engineered to do, but is also advertised to do. Do your research before you buy anything, and you'll have a great kick in no time!
E 902は、右のマイクの上に構築されたスタンドをマウントしており、これは穴の内側にそれを設定するにはかなり手間の少ないとなりました。このメカニズムは、E 602以上の著しく顕著な改善です。
E 602 IIの私のレビューで、私はE 602 IIは、魔法のように箱型の音の傾向を持っていたローエンドのキックドラムを解決するようどのように言及。それはハイエンドのマイクであるという事実と真のままでは、E 902は、カーブに組み込まれたこの補償はありません。 E 902は良いキックの音が良いようになる、とキックが下手な人が悪い鳴り続けますので、キックが下手な人E 602のように見えたの魔法の解決策ではありません。ゼンハイザーからこの特定のマイクは、それが与える音については非常に正直、非常にきれいになりがち。
私は、E 602を超える902以上のEを好きですが、それらは異なる色です。 E 902は、のみ行うように設計されていないE 602のような不正なベース信号を補正するために設計されていませんが、また何にアドバタイズされます。あなたが何かを買う前にあなたの研究を行う、とする時間がないの偉大なキックを持っているよ！