レビュー Line 6 POD 2 ( 7/10) - 7 件のレビュー

Worldwide, our 72 users rated this product: 7/10

7 user reviews about Line 6 POD 2 in 日本語

言語	メンバー	特徴1	使いやすさ2	音質3	全体的な感想4
	heads on fire
	iamqman
	themaddog
	Audiofanzine FR
	mooseherman
	songboy
	RickD

• 1↑. どんな種類のエフェクトが用意されていますか？ どんな技術が採用されていますか？（アナログ、デジタル、真空管等） それらは Mac/PC の編集プログラムで編集可能ですか？ 使用できる接続タイプは何ですか？ (Audio/MIDI) ラックへ組み込めますか？
• 2↑. サウンド／エフェクトの編集は簡単に行えますか？ 取扱説明書は簡潔に分かりやすく書かれていますか？ コンフィギュレーション／セットアップは簡単に行えますか？
• 3↑. あなたはこの製品をどんな楽器と使用しているのですか？ あなたの好きな、または嫌いなエフェクトはどれですか？ あなたの楽器およびマイクのサウンドは忠実に再現されていますか？プリアンプはサウンドを色付けしていませんか？
• 4↑. この製品のどんなところが一番気に入っていますか？また気に入らないですか？ この製品を購入する前にその他のモデルも試してみましたか？ この製品の価格性能比はどう思いますか？ この製品を試した結果、次も同じ製品を購入しようと思いますか？ サウンドの精確さ、音質はどうですか？

• 11/11/01

  heads on fire のレビュー （翻訳） この翻訳を修正する "It's a staple unit."

  See the translation of this user review with Google translate

  特徴

  Features
  
  Amp Models based on*:
  
  '64 Fender ® Deluxe Reverb ®
  
  '59 Fender ® Bassman ®
  
  '68 Marshall ® Plexi 100 watt
  
  Marshall ® JTM-45 meets Budda Twinmaster
  
  '60 Tweed Fender ® Champ ®
  
  Budda Twinmaster head
  
  '65 Blackface Fender ® Twin Reverb ®
  
  '60 Vox ® AC 15
  
  '60 Vox ® AC 30 non-Top Boost
  
  '85 Mesa/Boogie ® Mark IIc+ Clean Channel
  
  '85 Mesa/Boogie ® Mark IIc+ Drive Channel
  
  Dumble ® Overdrive Special Clean Channel
  
  '95 Mesa/Boogie ® Dual Rectifier ® Head
  
  '89 Soldano SLO Super Lead Overdrive
  
  Dumble ® Overdrive Special Drive Channel
  
  1987 Roland ® JC-120 Jazz Chorus
  
  Line 6 ® Insane
  
  Cabinet Models based on*:
  
  1960 Fender ® Tweed Champ ®
  
  1952 Fender ® Tweed Deluxe Reverb ®
  
  1960 Vox ® AC-15
  
  1964 Fender ® Deluxe Reverb ®
  
  1965 Fender ® Blackface Twin Reverb ®
  
  1967 Vox ® AC-30
  
  1995 Matchless Chieftain
  
  1959 Fender ® Bassman ®
  
  1996 Marshall ® with Vintage 30s
  
  1978 Marshall ® with stock 70s
  
  1968 Marshall ® Basketweave with Greenbacks
  
  Line 6 ® 4x12
  
  Line 6 ® 1x12
  
  Line 6 ® 2x12
  
  Line 6 ® 4x10
  
  POD 2.0 Effects
  
  Compressor
  
  Delay/Compressor
  
  Tremolo Delay/Tremolo
  
  Chorus 1
  
  Delay/Chorus 1
  
  Chorus 2
  
  Delay/Chorus 2
  
  Flanger 1
  
  Delay/Flanger1
  
  Flanger 2
  
  Delay/Flanger2
  
  Rotary Speaker
  
  Delay/Swell
  
  Delay
  
  Reverb

  使いやすさ

  I think nearly everyone has owned or played with one of these. If you haven't, you've certainly HEARD one - listen to anything produced in the last 11+ years, and there is usually something from this unit on there, from a simple overdub to a smattering of all guitar and bass sounds of a full album. I've actually done both approaches - I've made a couple of full-length albums that used only tones from this box, no miked sounds, and have gotten lots of positive feedback regarding those sounds. I tend to mic up guitar amps more nowadays, but this baby back in the day made great tones acheivable on the cheap and easy. It's a ubiquitous box that makes life simpler for a recording engineer.

  音質

  The sounds are good. I'm rating it a 7 because the technology for amp modelling has improved vastly since these came out. But I know I could still jam out on a recording with one of these units and be satisfied with the results. The Treadplate sound is one of the best metal rhythm sounds around, and the delays are really cool on here as well. It's fun to use as a practice headphone amp! No matter what one thinks of amp models, I don't think anyone could plug into this and not find some kind of usable tone.

  全体的な感想

  It's a collection of good, usable amp and effects tones, for not much money. And it is a lifesaver on a recording session - especially if a "signature tone" type amp goes down, this box can be plugged in to save the day. With some EQ and compression, the tones can be nearly indistinguishable from the originals in many cases. If one still turns one's nose up at the thought of using the little red bean pod for a record, it still makes a great headphone amp. And it's fun to mess around for reamping, like with crushed drums or distorted vocals!
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• 11/07/07

  iamqman のレビュー （翻訳） この翻訳を修正する

  See the translation of this user review with Google translate

  特徴

  One of the best products that Line 6 has ever produced. These little units sound amazing and have a great array of variance of possible operations. You can run amp models and cab models as well as an assortment of modulations, delays, and others effects.
  
  
  
  One very cool features is the ability to run 9 effects at the same time. This gives the user basically and endless supply of possible tonal variations.
  
  
  
  Features:
  
  
  
  32 Amp Models
  
  15 Cabinet models
  
  16 Digital Effects
  
  36 Factory/ User Presets
  
  1/4 inch TRS Headphone and Direct Out
  
  ToneTransfer compatible for seamless transfer of sound with any other Flextone II, POD, or POD Pro, or with Line 6's on-line library of sounds
  
  Headphone out
  
  MIDI I/O plus free software editor/librarian
  
  Chromatic tuner
  
  Floorboard and FB4 compatible
  
  Power supply included

  使いやすさ

  Detail
  
  A/D Res. 24 bit
  
  Analog Inputs 1/4in TS
  
  Analog Outputs 1/4in TRS L&R, headphones
  
  D/A Res. 24 bit
  
  Max. Delay 1000 ms
  
  MIDI I/O In/Out
  
  Simultaneous Effects 9

  音質

  This little box is great for recording but live play is is another story. If you simply use the effects for live use ten it is a decent tone, but j=using the amp models in a real amp situation is pretty pointless to me.
  
  
  
  When recording this little thing is a great tool. Will it sound exactly like a real tube amp pushing a speaker cabinet...no but it will get pretty close to the original sound.
  
  
  
  Doesn't really matter what guitar you use with this product because it will sound decent. You will not get that feel of the notes and the dynamics of really playing a tube amp because this is just simply simulating what you would play not wise. There is no feeling at all in the notes.

  全体的な感想

  I think Line 6 is one of the best if not the best companies out there who provide solid effect units for the all-in-one consumer who wants to keep things simple and clean. I would play this unit any day of the week. I don't use too much effects so something like this is perfect for me and it is perfect for home use!
  
  
  
  At new you can pick these units up for aright around 4200. Not a bad price for this compact processor. I like the idea of using this silently for playing at home or in an office where noise may be an issue.
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• 11/06/07

  themaddog のレビュー （翻訳） この翻訳を修正する "The original! But better to go with the XT"

  See the translation of this user review with Google translate

  特徴

  This was an upgrade to the original guitar amplifier synthesizing pre-amp. If memory serves me correctly, it has 32 amplifiers it modeled (16 on the front, but by holding Tap while moving the amp knob other amps can be selected), cabinet simulation, and a number of onboard effects. In addition to 1/4" inputs and outputs, which are mono or stereo it can send and accept MIDI in order to save data or remotely change the synthesizer's settings. Unlike the later POD XT, there is no setting to change the type of microphone being emulated, nor the room characteristics of that mic emulation.
  
  
  
  That being said, there is one major feature that the original POD can perform that is not found on the XT: On the XT, if you are using a patch with a delay and you switch to another patch (say, one without the delay), even if you already struck the note and the delay is expected it will not play. There is no way to enable the delay to play until it naturally decays on the XT. The original POD (and 2.0) POD, switching patches will still allow for a delay of up to two seconds, again if memory serves me correctly.

  使いやすさ

  Getting this thing to sound great is easy - you either set it up for connecting directly to a recorder or to an amplifier. How you set it changes the type of cabinet simulation that is used, in order to make it sound more accurate for the circumstances at hand. The manual is very easy to follow, but the POD is so intuitive that anybody can dial up some great tones just by fooling around with it. Even by breaking the rules by using the wrong output setting can get some interesting results.

  音質

  Although this is now the outdated POD, some of the tones are still emulated on the later POD's with little to no change. In the hands of a gifted user, some excellent sounding tones can be dialed up, and the nice thing about this POD, when compared with the XT and later models, is that fewer options means fewer, more simple to make choices.

  全体的な感想

  This was my first serious piece of guitar gear, as I bought it when I still only had a practice amp. I think it's great for what it is, but looking back, and knowing what I do now, I wish I had instead taken the money and purchased a solid, used tube amp.
  
  
  
  I haven't had my POD 2.0 for years, but I do have a POD XT Live (and formerly had a POD XT). The only feature I really miss from the 2.0 is the delay I was talking about in the very top section.
  
  
  
  In my opinion, the POD 2.0 is nearly useless live, unless you separately purchase the floorboard. At the same time, I'm not really an advocate of using any POD in a recording studio, unless the recordist has volume restrictions and can't use a real guitar amplifier. The real deal, especially under the microscope of the studio, always sounds so much better, so unless you don't have access to a real guitar amplifier (including solid state) or are lazy, I wouldn't advocate for its use in the studio.
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• 10/12/16

  Audiofanzine FR のレビュー （翻訳） この翻訳を修正する "Waouhh!"

  See the translation of this user review with Google translate

  特徴

  Originally written by laulalau on Audiofanzine FR.
  
  
  
  Everything has been said already!

  使いやすさ

  Everything has been said already!
  
  In my opinion, it's rather easy to use.

  音質

  Now, let's talk seriously ^^.
  
  
  
  I already knew Line6 simulations before buying the Pod because I used (and I still use) a Toneport UX1 that I like a lot.
  
  I also knew Vox simulations (I owned several amps from the Valvetronix range). I always preferred the Line 6 sound (although some users say it's cold and digital, but it's all a matter of settings).
  
  
  
  Enough quality effects.
  
  
  
  I use only four amp simulations: BRIT CLASSIC (Vox AC30), BRIT HI GAIN (Marshall JCM 800), TREADPLATE (Mesa Boogie Rectifier) and MODERN HI GAIN (Soldano).
  
  I find these four simulations are AMAZING!!!
  
  Other simulations are not so good but it's no big deal because I need only these four simulations. They allow me to play anything I want.
  
  
  
  I use the Pod with an Epiphone Les paul Slash Signature, a Fender Telecaster John 5 and a Telecaster Baja.
  
  The Pod faithfully reproduces the sound personality of each guitar (but not as good as a real amp).
  
  
  
  When I bought it, I used to play with a pair of headphones because I didn't like the sound with my amp (Blackstar HT5). The tubes colored the sound and the result was really awful.
  
  But with headphones, the sound was wonderful... So I sold my amp and bought a power amp conceived for what I do (Tech 21 Power Engine 60).
  
  It allows me to get the best out of the Pod (this amp is linear and faithfully reproduces the simulations without coloring the sound).
  
  
  
  With this amp, I can enjoy the sound quality of the Pod: the sound is just amazing!

  全体的な感想

  I've been using it for about one month... I never had such a sound at home and I know that my sound never was as good as it is now.
  
  
  
  I like the Pod 2.0 because it's easy to use, intuitive and provides almost endless sound possibilities.
  
  In my opinion, the Pod offers enough simulations and possibilities. That's the reason why I prefer it to the Pod XT or X3.
  
  
  
  I wouldn't hesitate to buy it again! Especially considering that it's always cheaper ;)
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• 10/11/30

  mooseherman のレビュー （翻訳） この翻訳を修正する "Effective, but Dated amp modeler"

  See the translation of this user review with Google translate

  特徴

  This is an amp modeler. It is primarily designed for studio use, as it's interface is definitely designed for maximum tweaking and not ease of use. It can be used live, though, with MIDI. It's also a direct-in, which means that running it through an amp is actually a bad idea. There are two 1/4" stereo outputs, as well as a headphones output. There is a switch which will allow you to use an amp if you so desire, as well. There is also a MIDI in and out, for programming automation. This is entirely a digital technology. There are no computer connection capabilities as far as I know with the POD 2, though later models do introduce such things.

  使いやすさ

  Utilizing this piece of gear is definitely pretty easy at least to get a tone. Eventually though, it gets more complicated. The only issue comes if you want to change tones mid-song. If using this in the studio, you could just change tones. But if you wanted to use it live, it would require MIDI programming. For some this won't be an issue, as they are familiar and used to MIDI programming. Many of us, though, would rather be able to have more flexibility.

  音質

  I have tried this amp modeler out with a Tele, a Strat, and a Les Paul. I have found that, overall, the tone between guitars doesn't change. This is digital, and digital doesn't exactly leave a lot of wiggle room in terms of tone. This piece of gear is great if you have nothing in the way of good amps. Basically, it doesn't hold a candle to a great amp. You can get far better tones in any decent tube amp (or solid-state if that's what you prefer). The effects get pretty whacky, and there are a ton of possibilities there, but I don't know if they can compare to a great pedal in any respect. The distortions are great digital distortions, so fans of Industrial music or techno-rock or whatever will dig it, but don't expect to play classic rock, or even alternative stuff. This is another case of quantity over quality.

  全体的な感想

  I definitely would recommend the POD to a studio owner, simply because there are going to be people who want these types of tones. However, I don't recommend that most people use them as they don't respond very well to individual taste, players' touch, guitars, etc. They also tend to get pretty generic. It's decently priced, but this is mainly because it's been updated a lot. I've played a few of these and I like the newer models better, they've at least come closer to getting real tones. I would not make the same choice again, I'd go for the update. I believe the newer ones can even be updated online, which makes them far superior.
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• 10/03/23

  songboy のレビュー （翻訳） この翻訳を修正する

  See the translation of this user review with Google translate

  特徴

  There is just about every effect you can think of for a guitarist on this unit including delay, compression, phase, vibrato, chorus, many kinds of distortion, etc...... This model cannot be edited by a computer, at least not traditionally. I think MidiQuest XL and other programs like that could do it via the midi inputs. No, it is not designed to be racked. This is completely digital. There is only 1/4" mono in and out and Midi in and out.

  使いやすさ

  The effects editing is fairly easy via a couple of knobs and buttons on the front of the unit. The general configuration is fairly simple and everything is written out on the unit for you to find and edit fairly quickly. I wouldn't recommend trying to edit live though unless you have enough light to read it. The manual is clear enough and should be able to answer all of the questions you need to know.

  音質

  I use this mainly for guitar and occasionally I would run a synth through it. In my opinion, I didn't like the Pod very much as I felt it sucked the tone out of my Parker Fly guitar. All the effects were fairly tinny sounding and once I started using true analog effects, I sold this unit immediately. There were some pretty cool distortions on this thing but for the most part, I didn't like most of the effects.

  全体的な感想

  Besides the poor sound quality, one of the things I really didn't like about this unit is when you tried to do some editing in a live situation, you ran the risk of selecting a distortion that was preset so hot, you would feedback and/or blow out your ears (and the audiences' ears too) if you weren't careful. In the end, the only thing I liked about this unit was using it for headphone practice, or just laying an idea out on my recording unit without needed to set up all my gear and a mic for the amp. I paid $100 used for this which was not too much money but it never really impressed me. I was able to break even on it when I sold it so that was good. I give it a 6 out of 10 for sound quality. Pretty tinny and no one could be fooled into thinking it was analog technology. I bought the Boss ME 50 shortly after and it was much much better. No, I would pass on this unit in a heart beat.
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• 08/08/01

  RickD のレビュー （翻訳） この翻訳を修正する

  See the translation of this user review with Google translate

  特徴

  This has reverb, chorus, delay, compressor, flange, phaser, rotary, tremolo and some combinations.
  
  
  
  It's all digital.
  
  
  
  You can edit with the numerous knobs, very easily. Tap tempo is very handy!
  
  I believe there is a PC edition mode but never bothered with it.
  
  
  
  Big jacks in & out (stereo out), midi.
  
  
  
  Not rackable, but that seems pointless. ;-)

  使いやすさ

  Very simple to use.
  
  
  
  Editing is very easy, yes.
  
  
  
  Can't remember needing the manual that much but it was clear too.

  音質

  The effects are usable...depending on how hard you mix them in maybe, but yeah, it's usable.
  
  Now, if you have a TC Electronic sitting by then maybe you won't bother using these, but i have a G-Force and i have used the tremolo on this, and the reverb isn't bad either actually. Sounds more like an amp reverb than dedicated reverb units do.
  
  
  
  Used this on electric & acoustic...worked very well.
  
  
  
  I don't like most of the distortions in this...actually the Line 6 amps sound best to me...

  全体的な感想

  I've had it about 4 years or so, i think.
  
  
  
  I like that it's small...complete...and lets you play at any time of day or night...in pretty much any style...and you can record it & it sounds fine...if you get your settings good. ;-)
  
  
  
  You must remember this unit is old, and pretty much the first...so i tried no other, it was totally the best at the time and was a gift actually...very expensive one at the time, i was amazed! ;-p
  
  I think that for the current price it's a bargain!
  
  
  
  I'd probably go for a pro rack if i were to buy one now cos i want digital out, but i'd try out the competition....and maybe go for one of those floor thingies that let you install VST plugins on them...now THAT sounds unbeatable!
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34 user reviews about Line 6 POD 2 in フランス語

言語	メンバー	特徴	使いやすさ	音質	全体的な感想	Google 翻訳
	Flying Tiger					読む
	yougui227					読む
	The craftsman					読む
	tazon79					読む
	olyverart					読む
	laulalau					読む
	Astorta					読む
	jf.rondeau					読む
	vinvindub					読む
	ChriS-StuP					読む
	doodb					読む
	zangdar555					読む
	jmarcz					読む
	Anonyme					読む
	Bixbeee					読む
	Vincent.ponsignon					読む
	Anonyme					読む
	loicat					読む
	tobias47					読む
	Arayorn					読む
	maxpapaie					読む
	fabou13					読む
	fops33					読む
	diddid					読む
	vincentj					読む
	poulpeolive					読む
	tiep					読む
	blackstorm19					読む
	kinishao					読む
	Dafo					読む
	amleth					読む
	Veloce Hystoria					読む
	greg666					読む
	cho7kipu					読む

31 user reviews about Line 6 POD 2 in 英語

言語	メンバー	特徴	使いやすさ	音質	全体的な感想	Google 翻訳
	heads on fire					読む
	iamqman					読む
	themaddog					読む
	Audiofanzine FR					読む
	mooseherman					読む
	songboy					読む
	RickD					読む
	MGR/Mario					読む
	MGR/Derek Mok					読む
	MGR/Piccolo					読む
	MGR/Tyler					読む
	MGR/Gregg Moore					読む
	MGR/Adam Martin					読む
	MGR/I love it					読む
	MGR/Steve Quarcini					読む
	MGR/Dolan					読む
	ODdOnLifeItself					読む
	MGR/Guitar guy. Kyle.					読む
	MGR/will					読む
	MGR/Mikeman					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Anonymous					読む
	MGR/Chris Bereznay					読む