レビュー Shure SM57 ( 7/10) - 20 件のレビュー

Worldwide, our 170 users rated this product: 7/10
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10 user reviews about Shure SM57 in 日本語

言語	メンバー	特徴1	全体的な感想2
	stompboxjon
	johnrae
	AlanForPresident
	crankyrayhanky
	MatrixClaw
	heads on fire
	ejendres
	ericthegreat
	themaddog
	nickname009

• 1↑. マイクの種類はなんですか？（ライブ、レコーディングなど） マイクの種類はなんですか？（エレクトレット、コンデンサ等）
• 2↑. この製品のどんなところが一番気に入っていますか？また気に入らないですか？ この製品を購入する前にその他のモデルも試してみましたか？ この製品の価格性能比はどう思いますか？ この製品を試した結果、次も同じ製品を購入しようと思いますか？ サウンドの精確さ、音質はどうですか？

• 12/05/22

  stompboxjon のレビュー （翻訳） この翻訳を修正する "yes im shure..."

  See the translation of this user review with Google translate

  特徴

  Shure SM 57 is one of the best mics on the market that are actually affordable and wont cost you an arm and a leg. Plus most all music stores even local stores (not big chain stores) carry this line of mics from Shure. The Shure SM 57 will take care of all of your needs and its one of the best all around mics you will find. Just try it on some drums, and you will be surprised by how good it actually is and for the price what more could you ask for.

  全体的な感想

  Overall, there are a lot of mics on the market some good and some bad. But we are all on a budget and want the best we can get for our money. For the price range of this mic you wont find a better mic that cost around the same amount of money. That is the reason it is so popular, some of the more commercial studio’s still use the Shure SM 57 even though they have enough money to go with whatever mics they want. You can also use the SM 57 for live use and watch how good it sounds. The frequency response on it is second to none (for the price range). Not to mention the Shure SM 57 will last you for every! Unless you do something really horrible to it and intentionally try to break it. It can take all of the bangs from moving it around from place to place especially if you don’t have a covor or protection to put it in when traveling. This thing has been dropped numerous times and keeps working like a charm. I really love the Shure SM 57, you cant go wrong with anything from Shure, they are a company that has been around for a long time.
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• 12/05/14

  johnrae のレビュー （翻訳） この翻訳を修正する "An all time classic at a great price!"

  See the translation of this user review with Google translate

  特徴

  The Shure SM57 is a directional cardiod dynamic microphone. It is an all around microphone, and every studio you ever visit will have one, if not twelve of these. It has been a studio staple since it's introduction. It's been used by US presidents to deliver speeches for nearly thirty years. This microphone is applicable to everything from live sound, to miking drums, to screaming vocals. The '57 can take a lot of punishment, but I would recommend it for the studio, due to it's short, grill design, which is perfect for studio use. It may not sound as good as a Condenser mic, but it's far more useful, and cheaper. Many classic recordings have been made with these. It's a dependable microphone, with a classic sound at a great price.

  全体的な感想

  The greatest thing about this mic is it's versatility. You can use it for almost anything, with an acceptable sound. It has a good frequency response, and getting close gives it a small boost in the low end that can be used to your advantage in many situations. I love the way this mic sounds, as it is incredibly dependable and usable in practically any situation you can imagine. If you have the cash, pick up one of these, or 4. These are an industry staple for a reason, and the backbone of many great albums. These can take a lot of sonic punishment, but still inflect a quiet acoustic performance in a smaller setting. The consistency in sound is astonishing. These mics are a PERFECT first mic. The only drawback is that it does not operate on phantom power, and you must crank your preamp, which in cheaper equipment could result in some hum. However, this mic is worth every penny, and you'll always want to have one around.
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• 12/05/09

  AlanForPresident のレビュー （翻訳） この翻訳を修正する "this mic is ready to go"

  See the translation of this user review with Google translate

  特徴

  I actually purchased the Shure SM 57 mic from a local music store called KB Music a few years back. I just wanted a good quality mic that I could used with no stand or pop filter at home just to record a few light demo vocals and save them for when I was at the real studio. The shure SM 57 did just that without any problems. I probably could have got a lot better quality with it if It was stationary on a stand and had a pop filter on it. I haven’t had any “live” experiences with this mic yet and probably wont. I just did a few some demos and even played some piano chords while recording my vocals at the same time. Of course with just one mic it didn’t sound great taking in the vocals and piano but I could definitely create something and record it into cool edit pro and shoot it to my ipod so I could listen to it and see how it would sound before I invest money into real studio time.

  全体的な感想

  One thing I love the most about the mic is how accurate it was with my voice. I did no eq to the vocals at all and the low end was pretty warm and hi’s weren’t over the top. Everything seemed to be pretty neat and clean. I have even recorder my friend who is a singer on it and it picked her high pitches up great. And keep in mind I had no stand and no pop filter on it. So it was great with just pretty raw sound. The price point of it is what makes it so great to me, to be able to invest that little money and get that quality cant be beat. But Shure’s mics are always good , I think I purchased it off the name brand alone. If it would have cost 50 dollars more I probably still would have got it over some other name brands.
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• 12/04/21

  crankyrayhanky のレビュー （翻訳） この翻訳を修正する "Super Magnificent 57"

  See the translation of this user review with Google translate

  特徴

  This is a dynamic microphone; utilization includes live and studio settings.

  全体的な感想

  The famous Shure 57...there is a serious love/hate on this microphone. I've been on both sides of the pendulum, so here's my experiences...
  
  It seems that every major guitar tone in the studio and live applications use the 57. World famous mic that one has to have...and even better, it's actually affordable! After decades of using dozens of other mics, I decided to buy (2) of these mics.
  
  First impression was awful! couldn't get a decent sound in my home recording setup...I'm not sure if my ears were used to condensers & ribbons, but this mic presented a 0/10 for me. Back into the case they went; I assumed they could be useful for live band or drum tom mics or whatever so I kept them. As time went on, every gig I played- from crappy bars to 1200 seat theater, the 57 was put right up on my amp grille. I returned to my studio to try the mics again.
  
  This time I had quality preamps. Instead of lo/mid level pieces, i actually had a Universal Audio 6176 to plug into...with proper placement, I realized that the 57 did indeed have that familiar magic sound- a desired hi pass to eliminate the rumble, a lo pass to avoid the piercing highs, and a mid frequency that loved guitars. I was suddenly hooked! Finding the sweet spot was a chore- I don't have a separate engineer and a control booth; I have 1 large room and work the mic with my headphones blasting, searching endlessly for the sweet spot. Dead center is a horrible sound- unfortunately most live engineers stick it right there on a gig-YUCK. Right where the center meets the cone is a good spot to shoot for- too much cone is too warm, too much center is to bright, but somewhere in between lies the SPOT. Once the spot is located, I grab another 57 and put it right next to it in perfect parallel. Both mics right up as close to the grill as possible. Molting these 2 mics together yields a perfect rock/metal tone for guitarists.
  
  
  
  Time went on and I needed to sell of my 6176...bought another, then needed to sell that too, lol. I'm now using an inexpensive GAP73 & an 11R for my mic pres- humble and inexpensive, yet more than serviceable preamps. I realized that the 57 still sounds great, but huge attention to placement is the key. It can easily turn to crap mud or piercing highs, but find the sweet spot and it is golden.
  
  
  
  Overall- great bang for your buck! Getting a pro-proven piece of gear for under $100 is extraordinary. I didn't go much into it, but these mics can sound killer on snare top (awesome application!), snare bottom, toms, vocals, you name it, it will do the job....and it will take a beating! I love that these are so cost effective, I can leave them setup for recording and just leave them there day after day. i wouldn't dare do that with an expensive ribbon or condenser, but with the 57, I'm like set it and forget it. Once I find my sound, it stays there for months!
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• 12/03/31

  MatrixClaw のレビュー （翻訳） この翻訳を修正する "The "Standard" for a Reason!"

  See the translation of this user review with Google translate

  特徴

  Microphone Type: Dynamic
  
  Polar Pattern: Cardioid
  
  Frequency Response: 40Hz-15kHz
  
  Impedance: 150 ohms
  
  Includes clip, XLR cable tie and bag.

  全体的な感想

  I've used nearly all the studio go-to mics for guitar cabs, and I keep coming back to the SM57. The e609 sounds great for lower gain, but lacks aggressiveness for higher gain applications, the 57 does it all. The Sennheiser MD421 is a great cab mic, but is also 4 times the price - And at that price, it's certainly not $300 better. The Royer ribbons sound AMAZING, but not something I'd use as a standalone sound - Pair it with a 57 and you're golden.
  
  
  
  These mics are the most popular dynamic mics on the planet for a reason, they can literally do anything, and sound great doing it! Guitar cabs, toms, snare, vocals - If you can put a mic in front of it, it'll probably sound pretty good with this one. It might not excel as well as other mics at certain applications, but where you'd normally use a dynamic mic, in order to find something "better" you're looking at spending MUCH more money. The 57 works amazingly well with nearly any preamp you pair it with, thus you can make great tracks on a cheap $100 interface, and in a $1 million recording studio with it.
  
  
  
  The SM57 is a workhorse in the studio and live. Every musician should own at least one.
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• 11/11/02

  heads on fire のレビュー （翻訳） この翻訳を修正する "Buy one."

  See the translation of this user review with Google translate

  特徴

  Dynamic Microphone
  
  Frequency Response - 40 to 15,000 Hz
  
  Polar Pattern - Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency.
  
  Sensitivity (at 1,000 Hz) Open Circuit Voltage: -56.0 dBV/Pa* (1.6 mV)
  
  *(1 Pa = 94 dB SPL)
  
  Impedance - Rated impedance is 150 ohms (310 ohms actual) for connection to microphone inputs rated low impedance
  
  Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
  
  Connector - Three-pin professional audio connector (male XLR type)
  
  Case - Dark gray, enamel-painted, die-cast steel with a polycarbonate grille and a stainless steel screen
  
  Net Weight (without cable) - 284 grams (10 oz)

  全体的な感想

  This is a good mic. It does the job, sounds decent on most applications, but excels on electric guitars and snare drums. It can be decent on toms, or even kick, and some vocalists, particularly male vocalists, can sound incredible on one. Every studio on this planet has one of these mics. It's not the best mic - I can always think of a better microphone for certain applications, but this will always get the job done, and they are easy to find for very cheap. Also, they are extremely durable, and even moddable - some engineers have found a way to take the transformer out of the circuit to get the microphone to sound more like the high-dollar SM7. I've worked clubs where the singer chucked an SM57 as hard as they could at a brick wall, and the mic still worked just fine.
  
  
  
  Bottom line - get one or two just to have, they can always find a use in a live or studio application. An Audix I5 or Heil PR30 might be a better mic, and works for similar applications, but everyone has one of these, so everyone knows what to expect of them and how to EQ them to taste. Even though there are better mics, I'd still recommend an SM57 to any musician or engineer.
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• 11/10/11

  ejendres のレビュー （翻訳） この翻訳を修正する "The industry standard for a reason"

  See the translation of this user review with Google translate

  特徴

  In my experience this is the most common mic on the stage and in the studio. It is a dynamic mic. It is the industry standard for a reason, it is tough, it is cheap, and it sounds good. I got mine second hand from a guy who had had it for years. The thing is dinged up and the grill is bent, but it still works beautifully. Its typically used to mic guitars and snares from what I've seen, but I've used it on vocals and even acoustic guitar and its held its own. I think one of the reasons its become the industry standard is because of this versatility. Though it isn't the best mic for everything, it is a good mic for nearly everything.

  全体的な感想

  The thing I like least about the mic is also thing I like most. It has this nasty little upper midrange hump that makes the mic cut beautifully live, but also can boost some unwanted frequencies in a studio situation. That said, its pretty easy to compensate for this with mic placement and equalization.
  
  
  
  Undoubtedly this mic is a great value. They can be had for $100 new, less if you buy used. They're rugged, easy to use, quiet, and they sound great.
  
  
  
  In the studio it seems to really help if you pair them with a condenser mic. The best sounds I ever got out of it was when I blended it with my AT2020. This mic helps to really fill out out the condenser sound.
  
  
  
  Overall this is a great mic, and amazing for the price. On the stage it'll cut through in a mix and will reliable night after night. In the studio it is a great tool, especially if you've taken the time to learn how to use it best.
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• 11/09/22

  ericthegreat のレビュー （翻訳） この翻訳を修正する

  See the translation of this user review with Google translate

  特徴

  The Shure SM 57 is a classic mic that has a very natural sound about it. And it doesn’t pick up too much background noise. I think everyone that has every recorded has came across the Shure SM 57. For the price, this mic just can't be beat. Selling for under $100 in most retail stores and online, anyone investing in a good microphone can afford to consider the SM57. Shure has long been working men's gear, available and affordable for working local musicians, yet used and respected by international touring professionals. You can use this mic in a home studio, some major studio’s even have it. Or for a live performance in an indoor or and outdoor setting it will still sound great.

  全体的な感想

  The Shure SM 57 is a classic mic that has a very natural sound about it. And it doesn’t pick up too much background noise. I think everyone that has every recorded has came across the Shure SM 57. For the price, this mic just can't be beat. Selling for under $100 in most retail stores and online, anyone investing in a good microphone can afford to consider the SM57. Shure has long been working men's gear, available and affordable for working local musicians, yet used and respected by international touring professionals. You can use this mic in a home studio, some major studio’s even have it. Or for a live performance in an indoor or and outdoor setting it will still sound great.
  
  
  
  Given the choice to do it all over again, I'd invest my money in the exact same three SM57's I have now. Whenever I'm making up a stage I always run out of 57's before I'm ready, so I guess I should go get another pair of them. I own other instrumental mics designed for live and studio applications, and I'm just really pleased with the 57's.
  
  
  
  I've used these mics in live shows to amplify guitar cabinets, saxophone, trumpet, trombone, piano, hand drums, snare drum, and on occasion, voices. (Although, for vocal applications, vocalists will practically need to swallow the grill to be amplified well - not much of a pickup range on this mic for vocals, so stay close to it while singing.) No matter which instrument's being played into the SM57, it produces clear, clean signal; especially when used for a live horn . If you havent used this mic before I suggest you going out and getting it, even if its not your first mic, it’s a very well rounded mic and can do what ever you need it to do for a very cheap price when it comes to mics.
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• 11/09/12

  themaddog のレビュー （翻訳） この翻訳を修正する "The standard for guitar cab/snare drum"

  See the translation of this user review with Google translate

  特徴

  This is a dynamic microphone meant primarily for live instrument use. It is generally used to mic the cabinets of guitar amp speakers and snare drums. They've been making them for very long time without an on/off switch on the vast majority of their models. In a bind, it also works decently for backup vocals and is good for playing with a talkbox since it doesn't have the round ball windscreen. Run with it, spit on it, drop it, and it'll still keep on working, sounding the same as it ever did (even with a bent grill).

  全体的な感想

  This is the standard for miking instruments, especially guitar cabs and snare drums. Most clubs use this as their house mic, but that doesn't mean it is the very best mic. It is a good standard microphone for most people. For those with a thin sounding voice, using the proximity effect of boosting the bass by putting the mic right to their lips will give a much fuller sound.
  
  
  
  The SM57 is pretty quiet when handled, which is probably its greatest attribute live.
  
  
  
  Electrically it is very similar to the Shure SM58, which is the standard for miking vocals. If you are in a bind, you can use an SM57 for this purpose and probably won't hear the difference between the two microphones.
  
  
  
  If you can get this microphone used, it's great to have a small arsenal of these if you have a band with multiple vocalists. That being said, there are a lot of phonies out there from the East, so beware when buying one used, especially over the internet. If you purchase a new one, buy it from a reputable, local store if possible.
  
  
  
  For a starter project studio, this or the SM58 are great first microphones as they are so versatile. They might not be the best recording microphones, but they can be used for so many different purposes. On vacation I've taken an SM58 with me for recording in a Portastudio and achieved some good results. If I had to choose between an arsenal of 57's or 58's, I'd got with 57's because they are a little cheaper, provide similar results as 58's, but are more versatile in the studio when used for miking cabs and drums. I have used them to record toms, which a lot of people say is a no no, but achieved the results I was listening for.
  
  
  
  I've never had a Shure product quit on me, which is saying something!
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• 11/08/27

  nickname009 のレビュー （翻訳） この翻訳を修正する

  See the translation of this user review with Google translate

  特徴

  The SM57 is a legendary mic and has become the industry standard for almost EVERYTHING.
  
  
  
  Dynamic mic, with cardioid polar pattern. An a supposed extended response.
  
  
  
  The dynamic mic part itself is quite small not like a vocal mic like the SM58 but can still generally be used for vocals, drums, guitars, saxophones, congas, harmonica, etc etc the list goes on. So in that sense it's versatile, just like most mics, as they should be!

  全体的な感想

  I can't really explain how they've become the industry standard mic. I'm not saying that they sound bad, there are better mics out there for the price of course. Maybe it's because they are relatively inexpensive and also sound decent? I can't say that they sound great or transparent as the Sm57 to my ears seems to be a bit sterile at some points and sometimes has a little bit too much highs and treble presence, making everything a little bit brighter. It also doesn't completely capture the low end of certain instruments properly i feel, but it definitely captures a spectrum of sound that seems to cut through the mix and sound alright.
  
  
  
  I've used these mics on a numerous amount of recordings and live situations for guitar, bass, vocals, drums, brass and harmonics primarily.
  
  
  
  I wouldn't say this is the best mic for whatever application but I do think this is a very generic sounding mic with enchanced presence and highs. But it has become so renowned now that everybody and their grandmother has one! It always seems to be that way, that the decent stuff that's well priced, becomes something of a classic.
  
  
  
  Overall though, decent mic, decently priced.
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122 user reviews about Shure SM57 in フランス語

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26 user reviews about Shure SM57 in 英語

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2 user reviews about Shure SM57 in ドイツ語

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